http://retrographer.org/ – “Dane, a senior at Carnegie Mellon University studying design and human-computer interaction, has created the Retrographer Project designed to geotag historical images of Pittsburgh. “Geotagging” adds latitude and longitude data to an historical image so that its geographic location can be identified on a map.” It does seem like it still needs work, but I’m glad someone is doing this.
Not only am I mildly obsessed with Pittsburgh history, I also recently started geocaching. Ever since I read this book I’ve been wishing that someone would make an online version that would juxtapose Pittsburgh of today with Pittsburgh of the 1970s and the 1800s. Well, “Retrographer” seems like just the sort of thing I was imagining.
I’ve never done any “geotagging”, but I have recently become hooked on geocaching. I think it’s fun because it gives you extra incentive to explore your city and its surroundings, and finding the caches can be tricky, and thus rewarding. I already liked walking in the woods, now I can just find hidden treasure while I do it. And right when my bff and I started doing this, I was reading about the history of Schenley Park, my favorite park in Pittsburgh. I immediately started imagining caches I could create that would share some of the history of the locale where the cache was hidden. I like the thought of creating collages out of historical photographs and text, so the contents of the cache would be like a mini-artistic homage to what was.
Another recently publicized project that combines Pittsburgh history with archival material and geography is Public Record, a “multimedia documentary project that Justin Hopper [turned] into a [walking tour of downtown] you can take with your iPhone, cell phone or MP3 player” (Post-Gazette).
While I’m really into these geo-projects that make use of technology like mp3s and digital maps, I also really like the simplicity, slowness, and tactility (yes that is a word, i just found out) involved in creating a physical cache and finding a physical cache using only a GPS reader as your technology. While it’s cool to use digital media to experience the history of places, there’s something ironic about using a form as intangibile as digital media to recapture the most ephemeral thing of all – history! I’m not implying that the creators of the aforementioned digital projects are unaware of this tension or that they’re not exploiting it (in the positive artistic sense). I think, though, that when I create homages to history I want them to be graspable (apparently this too is a word). I want people to be able to stand with something – even if it’s just an image – in their mittens and say “This was here, but now it’s not anymore.”
So much global positioning to do, so little time.